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Making — Woodworking

Marquetry

Pictures built from thin wood veneers, cut and fit together by hand. A compass rose, finished, and a guinea pig still on the bench.

Type
Marquetry · Wall art
Material
Wood veneer
Role
Designed & made
Year
2026
The finished compass rose: a sixteen point star in light and dark veneers, set in a round field inside a square panel with a dark border

Veneers a fraction of a millimeter thick, cut to shape, fit edge to edge with no gaps and no filler, then glued down to a panel. The colors are the wood itself.

01

Compass rose

Roughly eight inches square. Everything is cut to a full size paper pattern and built out from the center.

The first cut veneer pieces laid on a paper pattern beside a cutting mat
First pieces on the pattern
The center of the star assembled from alternating light and dark veneer points
Out from the center
The completed sixteen point star assembled on the paper pattern
The star closed up
The star set into a round veneer field on a dark rectangular background panel
Let into a round field
Thin border strips laid along the edges of the panel before gluing
Border strips going on
The glued panel pressed flat under a board weighted with a large jug of laundry detergent
Pressed flat under a jug of detergent, for want of a veneer press
The pressed panel, seams tight and surface flat, still on the cutting mat
Out of the press, seams tight
The finished compass rose panel held up, seen straight on
Sanded and finished
The finished compass rose seen at an angle, the grain in each piece catching the light differently
The same piece, off angle
02

Guinea pig

On the bench

The second piece is the first guinea pig we had, who passed away. I started from a photo of him and used AI to flatten it into a pattern of solid shapes and colors, then cut a piece of veneer for each one, matching the tone of the wood to the tone in the pattern.

The pattern for the guinea pig piece: a photo reduced to flat regions of solid color, each region a piece of veneer to be cut
The photo, flattened into shapes to cut to

Curves are the difficulty. On the rose a bad cut gets recut against a straightedge. Here every edge is unique and has to meet three or four others, so pieces go down onto the printed pattern and get held with tape until their neighbors arrive.

Early veneer pieces for the guinea pig taped onto the printed pattern
First pieces down
More veneer pieces filled in across the guinea pig, held with blue tape
Filling in the body
The guinea pig nearly complete in veneer
Nearly closed up
The assembled guinea pig laid out on the pale substrate panel, taped in position, with a craft knife beside it
Laid out on the panel it will be glued to
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© 2026 Samuel Bechar